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Sacred Boundaries in Pagan Practice

1/8/2023

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PEGI EYERS


​The Crooked Path Journal: A Discourse on the Nameless Art


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Vol. 2 No. 1
​Diversity, Equity, Inclusion, Equality, Culture, Community

The Crooked Path Journal: A Discourse on the Nameless Art, is a collection of articles, essays, poetry and editorials on Witchcraft, Paganism, and the Cunning Arts and the cultural issues that effect the people who follow these paths. In this issue we focus on Diversity, Privilege and Cultural Appropriation as well the making of magickal tools, the kindling of a Sacred Flame and so much more.

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IN THIS ISSUE

Black by Krystal Raven )0(     
Oak  (An excerpt from Tree Medicine Tree Magic) 
by Ellen Evert Hopman                  
Born of the Fires of Other and Self by Lucera Fumaltera 
Which Way Did She Go? by Crowstar   
Spotlight: "The Crooked Path Apothecary" by Raven Womack  
Magick as Dwelling in Truth: The Unveiling of Aletheia 
by 
Alecto Aletheia Hypatia
​The Gods Are Not Your New Toys: Cultural Demonization
and Cultural Appropriation by 
Mark NeCamp
On the Making of Magical Tools by John Breen 
                                    
A Poem by J.P. Sedgewick                                     
Paganism, Diversity, and the Pandemic by Kelsey Pullaro
To Kindle the Magickal Flame by Ilana Sturm 
Sacred Boundaries in Pagan Practice by Pegi Eyers 
Of Wine and Sabbats by Hillary Klein  
Language of the Mind by Soledad Osraige
Journey to the Castle (an excerpt) by  Ann Finnin

Available directly from Pendraig Publishing
https://pendraigpublishing.com


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Shifting Borderlines of Tame and Wild

1/7/2023

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PEGI EYERS


Unpsychology Magazine/The Other Than Human Anthology


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​Unpsychology Magazine Issue 6 ~ the "Other-Than-Human Anthology" offers provocative and reflective essays from Unpsychology regulars Toby Chown, Pegi Eyers and Zhiwa Woodbury, plus Alex Lockwood, Brent Thomas Ladd, Mike Moss, Emma Palmer, Emily Paskovics, Monica Dragosz, Kim Schuelle, Denesa Chan, Michael James Parker, Margaretha Häggström, Rachel Ben Menachem and Steve Benson. Julia Macintosh and Steve Thorp provide an opening dialogue to frame the anthology, and Steve also offers a third story, Habitants, from his speculative fiction future world, the Watertime. A particularly strong set of poetry comes from Brent Thomas Ladd, Bell Selkie Lovelock, Monica Dragosz, Susie David, Maggie Reed, Joel Elliot, Susannah Violette, Justice Schanfarber, Sarah James, Susan Richardson and a lovely meditative cycle of work, Curious Magic and Other Stories, by Rachel McDonald.

All this is original and wild, providing a wonderful scaffolding of other-than-human life!   Download your FREE ISSUES >HERE<


                   Shifting Borderlines of Tame and Wild
                                              BY PEGI EYERS
 
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Photography - Pegi Eyers

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Matriarchal Values: Our Pre-Colonial Heritage

3/31/2022

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PEGI EYERS

Deep Times: A Journal of the Work That Reconnects


The essay "Matriarchal Values: Our Pre-Colonial Heritage" by Pegi Eyers was published in the March 2022 issue of Deep Times Journal.  This issue includes work from a wonderful array of cultural creatives, thinkers and ecological visionaries~!

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From Editor Molly Brown
​The theme for this issue is Unraveling Patriarchy and Shifting the Paradigm, including work that......examines patriarchy as one of the intersecting sub-systems of  the "power-over’" paradigm, which has deep and wide roots and branches in the idea of separation from the land and the superiority of humans. The philosophical and political movement away from knowing the world as animate and alive gave birth to other hierarchies and oppressions, including the accumulation of resources by a few, capitalism, colonialism, labor extraction, racism, heteronormativity, etc. Patriarchy’s exercise of power over all that was categorized as “feminine” necessitated “othering” of women and queer folk, along with other species, land, fruit, life, wildness, the heart, and intuition–in order to dominate or own them. Power-over works to divide one oppressed group from another for the same reason. Throughout its long history, what are the structures/attitudes/values-belief systems that enable patriarchy to persist?  Can the Work That Reconnects help dismantle them, and if so, how?​

We’ve put together a rich array of articles, essays, poems and artwork that address the challenge of unraveling patriarchy and shifting the dominant paradigm to one of reverence and respect for all life, based on our radical interconnectedness with our fellow humans of all cultures, ancestry, and identities and with all beings of Earth.


Following the Spiral, the Gratitude section offers heart-opening poems by Ellen Bass and Karina Lutz, and a grateful remembrance by Silvia Di Blasio of three teachers who have recently become ancestors: Thich Nhat Hanh, bell hooks, and Desmond Tutu—who each worked in their own ways to shift the patriarchal paradigm.

The Honoring Our Pain for the World section offers poems by Marie Howe, bell hooks, and Jacqueline Sheridan that focus on the pain caused by patriarchy.  Juliana Mota Diniz explores the relationship between personal and collective trauma and the healing of both through embracing pain.  Jo Hamilton reports on her PhD research on how Work That Reconnects workshops helped participants embrace painful emotions related to the climate crisis and engage more fully in climate activism.  And Stephanie Hiller points out the relationships among patriarchy, war, and the Great Unraveling. This section ends with a painting by Jane Sherry titled “The Birthing Room” that reminds us that even the burned forests will regenerate with new life.
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SEE WITH NEW AND ANCIENT EYES

So many ways to See with New and Ancient Eyes beyond patriarchy!  Carolyn Treadway’s thematic photo journey through the Spiral begins this section, followed by Vincent Brown’s report on his doctoral study of the benefits men have received through doing the Work That Reconnects (which partially inspired the theme of this issue). Pegi Eyers explores matriarchal values and how we might shift from the patriarchal paradigm to that of an ecological self.  Two poems grace this section: “Palimpsest” by Emily Swanson and “Four Trees,” a poem by Anna Lyons-Roost in creative interplay with Rick Jansen and Frieda Nixdorf.  Paula Hendricks describes her understanding of Miki Kashtan’s work that so beautifully complements the Work That Reconnects in creating a world without patriarchy. Frieda Nixdorf’s art, “The Entelechy of Oak” concludes this section in beauty. 

And we Go Forth to create a world beyond the constrictions and violence of patriarchy, inspired by poems from Julia Smagorinsky, Susan Griffin, and Looby Macnamara.  Paul Pulé and Abigail Sykes discuss their work with the Starfish Collective in “Transforming Destructive Masculinities Norms through the Work That Reconnects.”  Their paper is followed by the first podcast in a series of “Conversations in Deep Times,”  this one featuring Paul Pulé in conversation with Erin Holtz Braeckman on “Ecological Masculinities.”  This section ends with Leo Murray’s exploration of why so few men show up in movements, protests, and activist workshops in Aotearoa New Zealand and elsewhere.

In the Evolving Edge section, Brooke Kuhnhausen reviews the impact of bell hooks’ writing and teaching and reflects on how Black and Indigenous, female, queer and non-binary leadership is so vital in today’s world.  Martha O’Hehir echoes that sentiment in her book review of Sisters in Spirit: Haudenosaunee Influence on Early American Feminists by Sally Roesch Wagner, which recounts how early settler feminists learned about true equality among genders from their Haudenosaunee neighbors.

We have many Resources to share with you: on patriarchy, on the climate crisis, on Thich Nhat Hahn’s legacy, and “What We Editors Are Reading.” The Network section features the results of recent “Visioning” on the part of the Weavers of the Work That Reconnects Network.   Enjoy reading and listening!  Molly Brown, Editor
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Ancestral Mother, mixed media, 2019
Illustration for "Matriarchal Values" by Pegi Eyers

read the full article >here<


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Dangerous White Woman!

3/8/2022

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PEGI EYERS


Dangerous Women: 
Fifty Reflections on Women, Power and Identity


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Published by Unbound and the Institute for Advanced Studies in the Humanities in Edinburgh, DANGEROUS WOMEN was launched on International Women's Day 2022~! Including the essay "Dangerous White Woman!" by Pegi Eyers, this amazing anthology features fifty reflections on women, power and identity.  You can order the deluxe paperback version of Dangerous Women, or download various formats of the ebook on Unbound here. 

What does it mean to be a dangerous woman?  Who, or what, does she present a danger to? Who gets to say she’s dangerous? Why do they want to say it? Does she consider herself dangerous? Is feminism dangerous? And what do the answers to those questions tell us about societies past and present? About our social and political structures, about our everyday lives, our attitudes and our very identities? Dangerous Women gives fifty wide-ranging perspectives on these questions. We have welcomed poets, playwrights, artists, academics, journalists, historians, performers and opinion-formers, and indeed anyone with an angle on the theme, to reflect on the danger of females. Speaking from a variety of ages, ethnicities and cultures, we have come together from all over the world to give agency to any woman dismissed for her power, talent or success, trivialized as a threat or condemned for challenging the status quo. We are here to celebrate these women and applaud them for their strength. In doing so, we have reclaimed the right to be dangerous, and highlighted the power of otherwise dismissed female figures. If you lack female idols, this book is for you. If you want to challenge the narrative that a powerful woman is a threat, this inclusive and diverse book is for you. Dangerous Women is for anyone and everyone who questions how to be dangerous, and indeed, what that means. 
 
 
​The Editors Jo Shaw, Ben Fletcher-Watson and Abrisham Ahmadzadeh

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Colonial Rescue

7/1/2021

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PEGI EYERS


CONTACT NO CONTACT

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SPACE BETWEEN NATIONS
STORY GATHERING PROJECT


"Colonial Rescue" by Pegi Eyers is a gripping personal narrative that was published by the Contact No Contact project supervised by Randy Fred, the founder of Theytus Books (the first First Nations book publisher in Canada), and the Geist Foundation, the publisher of Geist magazine. A gathering of personal contact narratives created by writers and storytellers, Contact No Contact welcomed Canadians into a conversation on the subject of contact - how contact appears in our lives and our memories, and how we encounter our own culture as well as the culture of others. 

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“Contact” is a term used to indicate initial encounters of Indigenous peoples with Settlers, and carries a special charge in accounts of Indigenous history.

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"Fish Fence Circle: Mjikaning" mixed media by Pegi Eyers

Colonial Rescue
PEGI EYERS

Recently I was shocked to hear about a “first contact” story that added a whole new layer to my personal mythology. Back in 1832, my ancestors were among the first families to settle in Orillia, Ontario.  As they approached the area by boat, their craft capsized in the waters of Lake Couchiching near “The Narrows.” On board was a tiny baby, my third great-grandmother Eliza Bailey, and she was brought safely to shore by a kind member of the Chippewa (Ojibway) Nation.  Seven generations later, I am astonished at how Eliza’s story transcends ordinary ethnoautobiography, and am overcome by a series of questions tangled up with destiny, kindness, retribution, ancestral memory and structural inequality.
 
Our tale is far from unique, as countless narratives describe how the Settler Society were welcomed, integrated, and dependent upon First Nations everywhere, who freely gave us gifts of food, land, medicine, and our very lives.   And yet I have to wonder if my family line would even exist, had Eliza perished in the waters of Lake Couchiching? And why wasn’t this information an important part of our family story?  A member of Mnjikaning First Nation and Keeper of the Fish Fence cared for my ancestor, but what did we do to return the favor?  We have a lot to examine, as we make retributions for the terrible years of land seizure, genocide, oppression, relocation and residential schools.  And as we move forward together, I hope to contribute to that process. 



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Access current selections from CONTACT NO CONTACT >here<  by Margaret Nowaczyk, Steven Heighton, Duncan Mercredi, and Randy Fred.  The term “contact” is used to describe initial encounters between Indigenous peoples and European explorers, and carries a special charge in accounts of North American history.

The stories are a selection from the project Contact No Contact, a gathering of personal narratives by Indigenous and settler contributors describing significant first contacts that brought new insights. These stories are a living (and growing) record that enhances our understanding of the experience and impact of “contact.”

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Ancient Spirit Modern Voice

5/31/2021

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PEGI EYERS

​Vento e Água Magazine


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"Ancient Spirit Modern Voice" by Pegi Eyers was published in the amazing Vento e Água Issue 27. 
Wind and Water Magazine is a project created with a passion for the rhythms of places, nature and cycles. 
Read the article, and the full magazine HERE:

https://ventoeagua.com/revistas/27/
To subscribe and receive the magazine at home:
https://ventoeagua.com/loja/
To acquire on paper or PDF:
Revista número 27 – 1 Maio 2021 | Vento e Água - Ritmos da Terra (ventoeagua.com)

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Ancient Ways of Knowing in Times of Massive Change

5/28/2021

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PEGI EYERS


🟣 NIGHT FOREST PRESS
🟣 ART 🟣 CULTURE 🟣 IDEAS
🟣 CANADIAN SMALL PRESS 

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"Ancient Ways of Knowing in Times of Massive Change" by Pegi Eyers was published as a blog by Night Forest Press on May 28, 2021.   Read the full article here ~ !!  

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Night Forest Press is experimentalists, dreamers, artists and writers.  Night Forest Press yearns to be a hashish that ignites your literary, artistic and intellectual imagination, it seeks to share your poetics of crisis, sweet fictions of rebellious joy, and your unique observations. We want languages of truth and brave proclamations of romance. We want words that are honest and fearless because these always offer beauty and insight. 


The Night Forest: nocturnal animals stalking, strange sounds and anxious spirits, where the simple crack and crunch of a twig can incite instincts and instabilities. Hear our heartbeats, smell our scents, catch our eyes looking for yours.....sure we need love and kinship.....but a world without risk, without danger, without dark, deep, mysterious forests is a world not worth living in.  Exploring ideas and embracing outsider art will enrich your mind. Join us, won't you?

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Resilience, Renewal and Love

4/27/2021

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The Sacred Legacy of the Ancestral Mothers
PEGI EYERS

She Summons: Why Goddess Feminism, Activism and Spirituality?  Volume 1, MAGO BOOKS 


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"Ancestor" mixed-media © Pegi Eyers

“Are you, like me, feeling that the mythology of your life is now divided between the eras of pre-COVID-19 and post-COVID-19?” When I wrote those words at the beginning of the pandemic in 2020, I was experiencing confusion and unease, in what felt like a menacing new reality.  Being part of a “lockdown” was totally surreal. Was this really happening? Did our public health authorities actually have the power to shut down our civic spaces and amenities, and restrict our movements?  Apparently they did.  For most of us, this was a totally new phenomena. And to top it off, how could a “state of emergency” be declared on my own birthday, and what was I doing enjoying a celebration in a restaurant that should have closed their doors? 

It’s now a full year later, my solar return has come and gone, and the entire world has been forced to reconcile with great disruptions, tragedies and impossible events. Like everyone else, I’ve been stripped down to the essentials of refuge, food, medicine and other basic needs, with the comfort of social life relegated to the sidelines. Even going for a walk is daunting, with the potential of a deadly virus waiting around the corner to contaminate our lives. And how dis-empowering, to think of the people, places, and objects of our desire as a hidden source of danger! 

New words are part of our vocabulary too – terms like  “self-isolation,”  “shelter in place,” “quarantine,” “essential workers,”  “community spread,” “flatten the curve,” “online reality,”  or  “covidiot” (covid denier). Instead of café culture, bookstore browsing, visiting art galleries and going to spiritual gatherings and conferences, we now spend our days in our homes - humble or palatial as they may be. Except for the super-rich, everyone is suffering an economic hit, and the ability to keep a roof over our heads is in jeopardy.  Knowing how capitalism is structured, without the daily intake of profits our beloved community restaurants and shops will never rise from the ashes.  And right now, it’s hard to imagine what the world will look like, in a post-COVID era.


Intellectually I understand that the virus will run its course – some will catch it, others never will; some will die and others recover.  These are plain truths I can deal with, with a grudging acceptance and communal grieving.  But still, there is stress in the disruption of my routine, plus the ongoing worry of falling ill. COVID-19 has changed our world on a scale never seen before, and yet we had so much to begin with!  Until 2020 I was feeling the irony of living in an era of hope and cultural renaissance, at the same time that western civilization seemed to be collapsing under its own weight.  For many years I watched for omens of the apocalypse, and as a society, we’ve been comfortable with “the sky falling” for decades now.  Warnings of monumental change and the breakdown of ecosystems have been part of the public discourse for my entire adult life.  A civilization that destroys the natural world to live, will destroy itself.  It’s a given. And altering the balance of nature by massive deforestation and the annihilation of natural habitat, can unleash viruses like COVID-19 on the world.  

During the summer of 2020 as the pandemic set in, and after a proper time of adjustment and bemoaning, I finally went, “wait a minute!”  As a Celtic Animist with a focus on Matriarchal Studies, I had an epiphany that the clanswomen in my motherline would also have endured times of dire deprivation, as no era is exempt from the cyclical forces of birth, life, death and rebirth. They would have found their ingenuity and strength when the rains did not come, when the ground was barren, when the forest was on fire, when the storm lashed the valley, when the river flooded the land in the middle of the night, when disease gripped the babies and the Elders, when a horde of marauding horsemen threatened their borders, and when the cold and ice was so unrelenting they thought it would never end. And to withstand all this, and more, without electricity, hot baths, craft rooms, Netflix or gourmet food delivery! 

Our Ancient Mothers love us so much, they are always there to support us, and patiently guide us. Working from an eternal place of continuity and care, our motherlines have prepared us for a “time of awakening,” when the power of the Eternal Feminine is rising once again. The gifts of the Ancestral Mothers are manifesting in every sphere – in the urgency of women’s leadership, the revival of the gift economy and egalitarian social organizations, the emphasis on the “we” instead of the “me,” the double roles of the birth and death doula, the need for wise elders, the supremacy of unconditional love, and the passion for venerating our Beloved Ancestors in the here and now.  As in ancient times, on the rise today are the green seers, mystics and spirit-walkers, those skilled with oracles, dream and vision interpretation, storytellers, gardeners, artisans, warriors and guardians. We have re-discovered our skill with animist lifeways, interspecies communication, plant-spirit medicine, important rites of passage, magical intuitive “knowing,”  honoring the sacred, reciprocity with Earth Community – and finally, making decisions that honor the Seven Generations yet to come.     

Drought, fire, flood, hurricane, war, famine, disease – all these and more we have endured and will endure again.  Keeping the era in perspective, there is also a “destroyer” aspect to feminine deity, and goddesses like Kali and Coatlique bequeath the land and all beings with cataclysmic events in the “great re-balancing” – cycle upon cycle through the great wheel of time.

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Fortified with a new-found faith in the resilience of my ancient Clanmothers, I was able to cope, unlock my capacity for grief and compassion, find patience and perseverance, and understand that all things have a beginning, a middle and an end.  To embrace the “silver lining” of pandemic times means reconnecting with what is most important, and to adapt and thrive.  Isolation offers us the gift of time, and the space to retreat from the world.  We can make the most of the opportunity by reviving our ancestral wisdom, honing our craft, singing, dancing, laughing, crying and telling the stories of our lives.  The darkness in hard times can also feed us, nourish us, wake us, and ground us.

So what is the best way forward? The stress and grief we are facing is real. And yet, we need to keep our spirits up and stay positive!  To trust that the Primordial Mothers - the weavers embedded in the land - are summoning us back to our most ancient selves, to the Ancestors and wild nature. For the first time in many years, Mother Earth is flourishing from reduced pollution, and the portal is open wide to animist connections and nature bonding. The natural world remains the foundation of all life, and the sacred wisdom of re-connection has not wavered.  Even in the modern era we are still “People of the Earth” and our true power is found in our ancient communal past, when we remember the sacred essence our bodies evolved from, so many aeons ago. 

As we connect to the land, the Ancestral Mothers witness us from the thin place between the worlds, know our hearts and souls, and help us to heal from trauma. They send us the message that we will recover from the COVID-19 pandemic stronger, smarter and more compassionate, and new initiatives will manifest as we rise to the challenge.  And at some point in the not-too-distant future, the impulse to find our kindred spirits will bring us back to each other again.  As we gradually emerge from this traumatic time over the summer of 2021, I intend to find a Grandmother Tree, curl up in her roots and pray - pray for the revival of our beloved Earth Community. 
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Published in She Summons: Why Goddess Feminism, Activism and Spirituality?” Volume 1, Mago Books, 2021


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Comments

Steve Kryzius
4/29/2021 08:37:54 pm

​I agree that the world will be a better place post covid19.  A good reminder that our ancestors also suffered times of isolation without the comforts that most modern people enjoy like electricity, Netflix, hot baths, etc

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Controversies in the Ancestral Arts

4/30/2020

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PEGI EYERS


Gods&Radicals


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Illustration by Mirna Wabi-Sabi

As the ravages of Empire play out, cultural recovery may become our goal again in the future — and we may find ourselves by choice or necessity living in small localized kinship groups once again, looking to our own ancestral traditions for a template to survival.    READ MORE >HERE<

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Dear Mother Earth

1/1/2020

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PEGI EYERS


Kina gdi-gwendaagininaanig
​To All Our Relatives


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Kina gdi-gwendaagininaanig - To All Our Relatives is a project that connects people with each other and the Earth in response to the climate crisis. First Nations have given us hope and the understanding to respect, share in reciprocity, and build caring relationships with Earth Community if our planet is to survive. A collaboration between the Sacred Water Circle (www.sacredwatercircle) and For Our Grandchildren – Peterborough (www.4RG.org).

Read the entry entitled "Dear Mother Earth" by Pegi Eyers, and add your letters, photos and videos >here<

Be a part of living history - share your voice! 

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    Essays, Articles, Poetry & Art
    by Pegi Eyers


    Published in Print
    ​and Online Media
    ​

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    PEGI EYERS

    ARCHIVES

    Flower Bombs
    ​
    Night Forest Press

    ​The Sacred Path, Mythical Places and Geomantic Power
    Vento e Água
    ​
    ​Peaceful Co-Existence & Unity In Diversity
    ​Kindred Media


    Rejecting Empire and
    ​Re-centering Indigenous Values
    Unpsychology Magazine


    European Indigenous Knowledge: Finding My Way Home
    Aurochs Press


    The Interbeing of Animism
    Deep Times Journal

    ​

    Do You Remember? Ancestral Wisdom for the Modern World
    Kindred Media


    Dangerous Women 
    ​
    University of Edinburgh/ Unbound

    Recognizing Abuse

    Labyrinths & Sacred Land
    ​Labyrinth Community Network of Ontario


    Sacred Boundaries in Pagan Practice
    The Crooked Path Journal
    ​

    Shifting Borderlines of Tame and Wild - Unpsychology Magazine 

    Matriarchal Values: Our Pre-Colonial Heritage Deep Times Journal 

    Dangerous White Woman!
    ​University of Edinburgh


    ​​Colonial Rescue
    Contact No Contact

    ​GEIST

    Ancient Spirit Modern Voice
    ​Vento
     e Água Magazine
     

    Ancient Ways of Knowing in Times of Massive Change
    Night Forest Press

    ​
    ​
    Resilience, Renewal and Love
    ​MAGO Books

    ​
    Dear Mother Earth - Kina gdi-gwendaagininaanig & To All Our Relatives

    ​
    Rise of the Goddess
    Immanence Journal 
    ​

    Letters to the Earth
    ​Extinction Rebellion


    Pegi Eyers is the official Graham Hancock Author of the Month (AOM)!

    Green Goddess
    ​Return To MAGO 


    Ask First!  A Better Practices Guide for Indigenous Engagement

    Winter Solstice Lights Up the Land ~ Antlered  Advent
    ​Path of the Ancestral Mothers


    ​Decolonizing Environmental Education

    Reclaiming the “We” from Ancient Wisdom 
    Communities Magazine 


    The Sacred Balance
    Confluence Journal 


    [Un]Conscious Coloniality Gods&Radicals

    Seeking Settler Re-Landing
    Unsettling America


    The Diviner's Handbook: Writings on Ancient and Modern Divination Practices

    Climate Minds with Ancient Spirit Rising! Unpsychology Journal

    ​
    Rejecting Empire &
    ​Re-centering Indigenous Wisdom
    Whirlwind Magazine


    From Colonial Rescue to Cultural Genocide
    Unsettling America


    Love From the Earth
    Confluence Journal

    ​
    The Cultural Appropriation Learning Curve
    Isis-Seshat ezine
     


    The Dangerous Women Project
    University of Edinburgh 


    Contemplating the Ruins and Reviving Mythic Stories / We Are Living on Turtle Island, Isn't it Time We Started Acting that Way?
    ​Gods&Radicals


    Beyond the Pale: Lifting IK and Inventing Identity
    Bringing Race to the Table: Exploring Racism in the Pagan Community


    Earth Mother Magic
    Willendorf's Legacy: The Sacred Body


    The Tenets of Goddess Spirituality 
    She Rises: Why Goddess Feminism, Activism and Spirituality?


    Articles by Pegi Eyers  GREENZINE

    Natura Green Goddess  Goddess: When She Rules

    Our Struggles Are Not the Same
    Whatever Works: Feminists of Faith Speak


    Articles by Pegi Eyers
    One Thousand Trees