Our Emerging Selves: Exploring Self and Nature through Creative Practice
It was incredibly exciting to share my recent photo-essay "Eco-Agony" with my co-members in our Harvard Divinity School working group! I created a video presentation incorporating my personal spiritual journey with more recent artworks. The range of feedback and responses included comments such as "grounded and at one with the earth," "a metaphor for birth," "the fetal position," "birthing the new earth-connected human," "a sense of awe," and "grieving as a core piece of the work." For me, the underlying intent of "Eco-Agony" is the reciprocal relationship between humans and nature - one that is grounded in love and care. To engage with loving the land, is to experience the land loving us back.
Watch the Recording
Pegi Eyers is the author of "Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community," an award-winning book that explores strategies for uncolonization, rejecting Empire, social justice, ethnocultural identity, Apocalypse Studies, building land- emergent community & resilience in times of massive change.
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PEGI EYERSDecolonization is a relatively new concept for the ecopsychology community. This blog sets out the main definitions for decolonization and uncolonization today, to assist with actions moving forward, both in thought and action. The liberation of the colonized group from the nation state, or the removal of the Settler, do not apply to the dynamics within ecopsychology, but much can be gleaned from other definitions of decolonization that center Indigenous resistance, sovereignty, land restoration, and repatriations. Through solidarity and the Allyship framework, opportunities abound to assist First Nations in the struggle, and other initiatives are flourishing such as ethnocultural recoveries and the re-indigenization of worldviews that challenge colonial thinking and behavior. At the very least, those in the ecopsychology community have excellent opportunities right now to incorporate a fuller awareness of the ongoing colonizer/colonized relationship, model the restoration of nature-relatedness for all people, and educate others on good intercultural competency skills with First Nations. DECOLONIZATION & UNCOLONIZATION DEFINED |
Pegi Eyers is the author of "Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community," an award-winning book that explores strategies for uncolonization, rejecting Empire, social justice, ethnocultural identity, Apocalypse Studies, building land- emergent community & resilience in times of massive change. |
An excerpt from the article "Indigenous Peoples: Key Trends that Affect their Development" Part 2, by Yulia Nesterova, Research Fellow, University of Glasgow. Published in Impakter Magazine, September 28, 2017.
Cultural Appropriation
Another issue is the appropriation of Indigenous cultures – which non-indigenous people disrespect, misuse, and misrepresent. Cultural appropriation happens when a fashion, fine art or entertainment industry uses traditionally Indigenous sacred items and patterns (headdresses, clothing patterns, etc.) to make a profit. High-end fashion houses have been accused of abusing Indigenous beading, feathering, and other sewing techniques without any consent from Indigenous groups.
Cultural appropriation is not only a big business for Chinese factories or western fashion houses, however. It is an identity theft by non-indigenous individuals who imagine themselves as "tribal," "awake," and "spiritual" by wearing Native American headdresses, putting on "tribal" makeup, donning "Indigenous" jewelry and clothing, or living in a tipi during some sort of "spiritual" festival.
As Pegi Eyers describes it, it’s an act of racism to use Indigenous cultural markers. Not long ago Indigenous people were killed for using them, and it interferes with currrent Indigenous attempts at “resurgence and sovereignty.” Pegi Eyers explains that "cultural appropriation dominates how oppressed groups present themselves to the world, and undermines their efforts to preserve their own traditions."
This year, the World Intellectual Property Organization (WIPO), an agency under the UN, was asked to develop “effective criminal and civil enforcement procedures” to stop the cultural appropriation of Indigenous heritage. It seems that open letters to non-indigenous people and other attempts to stop this cultural, spiritual, and identity theft aren’t helpful, and legal measures need to be taken to protect Indigenous communities from such abuse.
On the downside, it is clear that Indigenous people still have a long way to go to achieve full recognition. But, on the upside, the good news is that general awareness of their plight has been raised and that the road to achieve justice for them has been traced. It now needs to be taken.
YULIA NESTEROVA
"Indigenous Peoples: Key Trends that Affect their Development" Part 2, by Yulia Nesterova, Research Fellow, University of Glasgow, published in Impakter Magazine, September 28, 2017. Access the full article >here<
Pegi Eyers is the author of Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community, an award-winning book that explores strategies for social justice, uncolonization, ethnocultural identity, building land-emergent community & resilience in times of massive change. Available from Stone Circle Press or Amazon |
A fascinating excerpt from "Between Worlds: Artful Auto/Biography and/as Pagan Healing" by Gina Snooks, Electronic Thesis, The University of Western Ontario, Part of the Feminist, Gender, and Sexuality Studies Commons, 2022
Toward a Decolonised Paganism
Theorizing matters of inclusion and exclusion in Paganism also necessitates a critical analysis of how Paganism is complicit in epistemic violence through the erasure and theft of Indigenous knowledges. In this matter there are two points that require attention: being in right relationship with the land and its more-than-human inhabitants, and the misuse of sacred objects and practices by folks who are not part of the living traditions in which these objects and practices are located. Paganism requires that Pagans be in right relationship with the lands upon which they live and practice their religion. Indeed, independent scholar Lisa A. McLoughlin argues that Pagans’ identity depends on it. However, these relationships are complicated when Pagans are uninvited guests on unceded Indigenous territories, as is often the case in North America. Meanwhile, for settlers, their cultural and ancestral knowledges are rooted in the mythologies of lands located elsewhere — lands from which their ancestors were displaced, sometimes forcefully and at other times due to various forms of oppression, and lands upon which they themselves may have never set foot. Settlers’ history with Turtle Island, then, is not the same as it is for its Indigenous peoples, but neither are their histories the same “as our ancestors with their ancestral lands” (McLoughlin 1). To further complicate the matter, Oneida Nation of the Thames Turtle Nation scholar Lina Sunseri reminds us that identity is a complex matter and that national identities “are fluid and socially constructed” and “never complete” (29). Sunseri makes this point to elucidate that the distinction between coloniser/ colonised and insider/outsider are not necessarily neatly organized dichotomies in the context of settler colonialism on Turtle Island.
Further related to the topic of decolonising Paganism, Pegi Eyers postulates that one of the reasons that settlers gravitate toward and appropriate Indigenous knowledges (IK), particularly Indigenous spirituality, is that they are disconnected from their own (European) Indigenous knowledges (EIK) and earth-connected cultures that center around concepts such as animism and ecomysticism. Hence she claims that settlers need to acknowledge their own loss of culture that has led to their collective and individual dysfunction and examine how this loss is at the root of their “spiritual hunger” and “yearning for holistic earth-connected community” (48). Her stance aligns with Eduardo Duran’s (Apache, Lakota, Tewa) claim that the process of colonisation “affects human beings at a deep soul level” (14) and that many non-Indigenous peoples (of Turtle Island) may want to decolonise from the “collective consumer colonization that has been imposed upon them” (14) and which is ongoing.
To this point, Anishnaabe Elder and Traditional teacher James Dumont advises that “Everyone needs to get back to their own IK” (qtd. in Eyers 17). Following this logic, Eyers argues that Paganism offers a meaningful way for settlers to live in alignment with earth-based spirituality through the reclamation of their own ancestors’ Indigenous knowledges and that returning to these knowledges is a necessary part of the process of decolonisation. Thus, Paganism can be a way of living more harmoniously with the lands, the gods, ancestors, and other more-than-human beings. In reference to Gaul Indigenous knowledges, Anne Ferlat, similarly, postulates that reclaiming European Indigenous spiritualities through decolonial paradigms might “offer a route for healing both the collective and personal traumas resulting from waves of acculturation” (2-3) brought about by long histories of aggressive acculturation, colonialism, cultural exchange, migration and forced relocation.
In alignment with these scholars and Elder Dumont, I contend that a decolonial approach to Paganism and a reclaiming of vernacular spiritualties rooted in one’s histories and cultures can provide a meaningful way to reconnect with earth-based holistic epistemologies, and that these practices can be part of the process by which human beings can begin to heal our collective soul wound. Nevertheless, this is not to imply that Pagan practices need not be examined and called out when they are themselves oppressive. Elucidating this point, Eyers also critiques Pagan practices that appropriate Indigenous knowledges by borrowing, blending, and creating new practices based on Indigenous sacred knowledges such as “aspects of vision quests, healing modalities and purification rituals from First Nations as diverse as the Lakota, Navajo and Cree. This artificial combining of cultural elements reinforces false ideologies and romanticizes stereotypes, and does nothing to strengthen actual First Nation communities and their recovery of nationhood, ancestral lands or cultural traditions” (157). While Eyers promotes Paganism rooted in European Indigenous Knowledges as an alternative to North American Pagans participating in practices that appropriate the Turtle Island Indigenous peoples, Scott Lauria Morgensen is more critical. In fact, he argues that “despite the perception that adopting European neo-paganism keeps white members of settler societies from appropriating Native culture, neo-paganism itself is reinvented by them to gain a relationship to Native land and culture that does not feel like the conquest that they know they inherit” (116).
Underpinning these critiques of Pagan appropriation of Indigenous knowledges, is the understanding that White privilege means that many White people feel entitled to access the sacred knowledges of cultures to which they do not belong, under the false assumption that all sacred knowledge is open. This is so, despite that not all Pagans identify as White, because Pagan culture is largely (White) Eurocentric and many of the founders of the contemporary Pagan movement were White people who pieced together sacred knowledges from various diverse cultures. Indeed, part of the process of decolonising contemporary Paganism is to untangle this information as to avoid repeating such forms of cultural theft. What is clear, then, is that unpacking Pagans’ relationship with land (any lands) is a complicated matter that must also address matters of Indigenous sovereignty and Indigenous land rights. Moreover, being in right relationship with land encompasses being in right relationship with people. Consequently, Pagans’ relationship with land cannot be disentangled from the broader landscape of settler colonialism, which is the structure by which Indigenous sovereignty has been eroded.
To the point of the misuse of sacred objects and ceremonies one of the most widely appropriated practices is that of smudging, which is a purification ceremony performed by smoking sacred herbs often referred to as medicines by Indigenous peoples. To be clear, many cultures worldwide use smoke to physically and energetically cleanse; hence, it is not the usage of smoke per se that is problematic. Rather the problem is when plants and medicines that are sacred to specific peoples are used out of context by people who have not been properly trained in that tradition mimic those rituals, or worse when these practices are commercialized. The usage of white sage is a prime example of this sort of misuse, which has led to an over harvesting of the plant. Another example is the performance of sweat lodge ceremonies (under that exact name), again by practitioners who are not trained, nor given permission, by elders or spiritual leaders in the Indigenous communities in which these practices originate. These practices are an act of cultural theft, but safety is also an issue when this ceremony is performed by untrained people, as is evident in fact that two people died at a retreat hosted by James Arthur Ray in Sedona Arizona (CBC 2011). As these brief examples demonstrate, Paganism can be complicit in the cultural appropriation of Indigenous knowledge and, in doing so, is complicit in the ongoing marginalization of Indigenous peoples.
Although, in this section, I have drawn attention to some of the issues within Paganism regarding racism, sexism, and cultural appropriation, it is also important to acknowledge that there has long been resistance to such practices by the Pagan community itself. Indeed, there is an ongoing movement toward making Paganism more inclusive and toward decolonising Paganism. On the topic of decolonising spirituality scholar Leela Fernandes writes “a decolonization of the divine necessitates a spiritual practice that includes a willingness to confront all forms of political and socioeconomic injustice…” (109), which requires a critical analysis of and willingness to address the myriad ways that spiritual traditions are decontextualized from the cultural political and historical landscapes in which they are located.
The problem, Fernandes argues, is that such an approach is based on “a form of spiritual appropriation that is void of social responsibility” (109). Although she is referring to the appropriation of Asian Indian spirituality, her argument is applicable in relation to Paganism as well. My point is that to decolonise Paganism, Pagans must be willing not only to name oppressive practices within the religion, but also to commit to repairing harms done to others in the name of Paganism.
On the topic of decolonising Irish polytheism, the Irish Pagan School offers a course called “Decolonising Your Druidry & Spiritual Practice: The roots of Druidic Religion & how to ensure your modern practice is authentic and respectful” in which Lora O’Brien unpacks the history of the modern Druid movement and advocates for spiritual practices that are rooted in the mythologies and living culture of Ireland.49 Notably, O’Brien does not propose that Indigenous Irish spirituality is for Irish natives and/or the Irish diasporic community only. Instead, O’Brien posits that anyone can practice pre-colonised Irish spirituality so long as the practice is not taken out of context of the living Irish culture and its histories. She does promote learning from Irish practitioners such as herself, as well as non-Irish practitioners who are immersed in the culture, histories, and folklore of Ireland (such as American writer Morgan Daimler). From this perspective, Indigenous Irish polytheism is not a closed religion, but respectful engagement is required.
O’Brien’s approach here aligns with Elder Dumont’s advice that everyone ought to reclaim their own Indigenous knowledges. Yet it should also be recognized that “The Gods were your Gods because they were the ones you honoured, the ones you prayed to and offered to, not because you passed some litmus test of color or ancestry. The culture was your culture because it was what you lived, valued, and passed on,” as Daimler succinctly puts it (2015, 69). In fact, in the context of Irish Paganism and reconstruction pre-colonised Irish Polytheism, Daimler is critical when cultural belonging and intention to preserve ancestral knowledges become a form of cultural “possession” (2015, 68), an act that excludes some folks from participation while permitting participation by others.
As these examples demonstrate, what constitutes closed religions versus open religions and cultural appropriation versus cultural appreciation is not a straightforward matter. By extension, who is permitted to participate in specific cultural traditions and who is excluded from participation, is a complicated matter that is deeply entwined with both the historical and contemporary context of unequal power relations and matters of resiliency and, therefore, must work toward autonomy and self-determination for marginalized groups.
GINA SNOOKS
Theorizing matters of inclusion and exclusion in Paganism also necessitates a critical analysis of how Paganism is complicit in epistemic violence through the erasure and theft of Indigenous knowledges. In this matter there are two points that require attention: being in right relationship with the land and its more-than-human inhabitants, and the misuse of sacred objects and practices by folks who are not part of the living traditions in which these objects and practices are located. Paganism requires that Pagans be in right relationship with the lands upon which they live and practice their religion. Indeed, independent scholar Lisa A. McLoughlin argues that Pagans’ identity depends on it. However, these relationships are complicated when Pagans are uninvited guests on unceded Indigenous territories, as is often the case in North America. Meanwhile, for settlers, their cultural and ancestral knowledges are rooted in the mythologies of lands located elsewhere — lands from which their ancestors were displaced, sometimes forcefully and at other times due to various forms of oppression, and lands upon which they themselves may have never set foot. Settlers’ history with Turtle Island, then, is not the same as it is for its Indigenous peoples, but neither are their histories the same “as our ancestors with their ancestral lands” (McLoughlin 1). To further complicate the matter, Oneida Nation of the Thames Turtle Nation scholar Lina Sunseri reminds us that identity is a complex matter and that national identities “are fluid and socially constructed” and “never complete” (29). Sunseri makes this point to elucidate that the distinction between coloniser/ colonised and insider/outsider are not necessarily neatly organized dichotomies in the context of settler colonialism on Turtle Island.
Further related to the topic of decolonising Paganism, Pegi Eyers postulates that one of the reasons that settlers gravitate toward and appropriate Indigenous knowledges (IK), particularly Indigenous spirituality, is that they are disconnected from their own (European) Indigenous knowledges (EIK) and earth-connected cultures that center around concepts such as animism and ecomysticism. Hence she claims that settlers need to acknowledge their own loss of culture that has led to their collective and individual dysfunction and examine how this loss is at the root of their “spiritual hunger” and “yearning for holistic earth-connected community” (48). Her stance aligns with Eduardo Duran’s (Apache, Lakota, Tewa) claim that the process of colonisation “affects human beings at a deep soul level” (14) and that many non-Indigenous peoples (of Turtle Island) may want to decolonise from the “collective consumer colonization that has been imposed upon them” (14) and which is ongoing.
To this point, Anishnaabe Elder and Traditional teacher James Dumont advises that “Everyone needs to get back to their own IK” (qtd. in Eyers 17). Following this logic, Eyers argues that Paganism offers a meaningful way for settlers to live in alignment with earth-based spirituality through the reclamation of their own ancestors’ Indigenous knowledges and that returning to these knowledges is a necessary part of the process of decolonisation. Thus, Paganism can be a way of living more harmoniously with the lands, the gods, ancestors, and other more-than-human beings. In reference to Gaul Indigenous knowledges, Anne Ferlat, similarly, postulates that reclaiming European Indigenous spiritualities through decolonial paradigms might “offer a route for healing both the collective and personal traumas resulting from waves of acculturation” (2-3) brought about by long histories of aggressive acculturation, colonialism, cultural exchange, migration and forced relocation.
In alignment with these scholars and Elder Dumont, I contend that a decolonial approach to Paganism and a reclaiming of vernacular spiritualties rooted in one’s histories and cultures can provide a meaningful way to reconnect with earth-based holistic epistemologies, and that these practices can be part of the process by which human beings can begin to heal our collective soul wound. Nevertheless, this is not to imply that Pagan practices need not be examined and called out when they are themselves oppressive. Elucidating this point, Eyers also critiques Pagan practices that appropriate Indigenous knowledges by borrowing, blending, and creating new practices based on Indigenous sacred knowledges such as “aspects of vision quests, healing modalities and purification rituals from First Nations as diverse as the Lakota, Navajo and Cree. This artificial combining of cultural elements reinforces false ideologies and romanticizes stereotypes, and does nothing to strengthen actual First Nation communities and their recovery of nationhood, ancestral lands or cultural traditions” (157). While Eyers promotes Paganism rooted in European Indigenous Knowledges as an alternative to North American Pagans participating in practices that appropriate the Turtle Island Indigenous peoples, Scott Lauria Morgensen is more critical. In fact, he argues that “despite the perception that adopting European neo-paganism keeps white members of settler societies from appropriating Native culture, neo-paganism itself is reinvented by them to gain a relationship to Native land and culture that does not feel like the conquest that they know they inherit” (116).
Underpinning these critiques of Pagan appropriation of Indigenous knowledges, is the understanding that White privilege means that many White people feel entitled to access the sacred knowledges of cultures to which they do not belong, under the false assumption that all sacred knowledge is open. This is so, despite that not all Pagans identify as White, because Pagan culture is largely (White) Eurocentric and many of the founders of the contemporary Pagan movement were White people who pieced together sacred knowledges from various diverse cultures. Indeed, part of the process of decolonising contemporary Paganism is to untangle this information as to avoid repeating such forms of cultural theft. What is clear, then, is that unpacking Pagans’ relationship with land (any lands) is a complicated matter that must also address matters of Indigenous sovereignty and Indigenous land rights. Moreover, being in right relationship with land encompasses being in right relationship with people. Consequently, Pagans’ relationship with land cannot be disentangled from the broader landscape of settler colonialism, which is the structure by which Indigenous sovereignty has been eroded.
To the point of the misuse of sacred objects and ceremonies one of the most widely appropriated practices is that of smudging, which is a purification ceremony performed by smoking sacred herbs often referred to as medicines by Indigenous peoples. To be clear, many cultures worldwide use smoke to physically and energetically cleanse; hence, it is not the usage of smoke per se that is problematic. Rather the problem is when plants and medicines that are sacred to specific peoples are used out of context by people who have not been properly trained in that tradition mimic those rituals, or worse when these practices are commercialized. The usage of white sage is a prime example of this sort of misuse, which has led to an over harvesting of the plant. Another example is the performance of sweat lodge ceremonies (under that exact name), again by practitioners who are not trained, nor given permission, by elders or spiritual leaders in the Indigenous communities in which these practices originate. These practices are an act of cultural theft, but safety is also an issue when this ceremony is performed by untrained people, as is evident in fact that two people died at a retreat hosted by James Arthur Ray in Sedona Arizona (CBC 2011). As these brief examples demonstrate, Paganism can be complicit in the cultural appropriation of Indigenous knowledge and, in doing so, is complicit in the ongoing marginalization of Indigenous peoples.
Although, in this section, I have drawn attention to some of the issues within Paganism regarding racism, sexism, and cultural appropriation, it is also important to acknowledge that there has long been resistance to such practices by the Pagan community itself. Indeed, there is an ongoing movement toward making Paganism more inclusive and toward decolonising Paganism. On the topic of decolonising spirituality scholar Leela Fernandes writes “a decolonization of the divine necessitates a spiritual practice that includes a willingness to confront all forms of political and socioeconomic injustice…” (109), which requires a critical analysis of and willingness to address the myriad ways that spiritual traditions are decontextualized from the cultural political and historical landscapes in which they are located.
The problem, Fernandes argues, is that such an approach is based on “a form of spiritual appropriation that is void of social responsibility” (109). Although she is referring to the appropriation of Asian Indian spirituality, her argument is applicable in relation to Paganism as well. My point is that to decolonise Paganism, Pagans must be willing not only to name oppressive practices within the religion, but also to commit to repairing harms done to others in the name of Paganism.
On the topic of decolonising Irish polytheism, the Irish Pagan School offers a course called “Decolonising Your Druidry & Spiritual Practice: The roots of Druidic Religion & how to ensure your modern practice is authentic and respectful” in which Lora O’Brien unpacks the history of the modern Druid movement and advocates for spiritual practices that are rooted in the mythologies and living culture of Ireland.49 Notably, O’Brien does not propose that Indigenous Irish spirituality is for Irish natives and/or the Irish diasporic community only. Instead, O’Brien posits that anyone can practice pre-colonised Irish spirituality so long as the practice is not taken out of context of the living Irish culture and its histories. She does promote learning from Irish practitioners such as herself, as well as non-Irish practitioners who are immersed in the culture, histories, and folklore of Ireland (such as American writer Morgan Daimler). From this perspective, Indigenous Irish polytheism is not a closed religion, but respectful engagement is required.
O’Brien’s approach here aligns with Elder Dumont’s advice that everyone ought to reclaim their own Indigenous knowledges. Yet it should also be recognized that “The Gods were your Gods because they were the ones you honoured, the ones you prayed to and offered to, not because you passed some litmus test of color or ancestry. The culture was your culture because it was what you lived, valued, and passed on,” as Daimler succinctly puts it (2015, 69). In fact, in the context of Irish Paganism and reconstruction pre-colonised Irish Polytheism, Daimler is critical when cultural belonging and intention to preserve ancestral knowledges become a form of cultural “possession” (2015, 68), an act that excludes some folks from participation while permitting participation by others.
As these examples demonstrate, what constitutes closed religions versus open religions and cultural appropriation versus cultural appreciation is not a straightforward matter. By extension, who is permitted to participate in specific cultural traditions and who is excluded from participation, is a complicated matter that is deeply entwined with both the historical and contemporary context of unequal power relations and matters of resiliency and, therefore, must work toward autonomy and self-determination for marginalized groups.
GINA SNOOKS
"Between Worlds: Artful Auto/Biography and/as Pagan Healing" by Gina Snooks, Electronic Thesis, The University of Western Ontario, Part of the Feminist, Gender, and Sexuality Studies Commons, 2022. Access the full paper >here<
WORKS CITED
McLoughlin, Lisa A. “US Pagans and Indigenous Americans: Land and Identity.” Religions, vol. 10, 152, 2019, pp.1-16.
Sunseri, Lina. Being Again of One Mind: Oneida Women and the Struggle for Decolonization. UBC Press, 2011
Eyers, Pegi. Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community. Stone Circle Press, 2016.
Duran, Eduardo. Healing the Wounded Soul: Counseling with American Indians and Other Native Peoples. New York and London: Teachers College Press, 2006
Ferlat, Anne. “Rediscovering Old Gaul: Within or Beyond the Nation State?” Religions vol. 10, no. 331, 2019, pp. 1-15.
Morgensen, Scott Lauria. Spaces Between Us: Queer Settler Colonialism and Indigenous Decolonization. University of Minnesota Press, 2011.
“Self-help guru convicted in sweat lodge deaths.” CBC, 23 June 2011,
Fernandes, Leela. Transforming Feminist Practice: Non-Violence, Social Justice and the Possibilities of a Spiritualized Feminism. San Francisco: Aunt Lute Books, 2003.
O’Brien, Lora. Lora O’Brien Irish Author & Guide, 2021,
https://loraobrien.ie/about-lora-obrien/. Accessed 20 April 2022.
Daimler, Morgan. Irish Paganism. Moon Books, 2015.
McLoughlin, Lisa A. “US Pagans and Indigenous Americans: Land and Identity.” Religions, vol. 10, 152, 2019, pp.1-16.
Sunseri, Lina. Being Again of One Mind: Oneida Women and the Struggle for Decolonization. UBC Press, 2011
Eyers, Pegi. Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community. Stone Circle Press, 2016.
Duran, Eduardo. Healing the Wounded Soul: Counseling with American Indians and Other Native Peoples. New York and London: Teachers College Press, 2006
Ferlat, Anne. “Rediscovering Old Gaul: Within or Beyond the Nation State?” Religions vol. 10, no. 331, 2019, pp. 1-15.
Morgensen, Scott Lauria. Spaces Between Us: Queer Settler Colonialism and Indigenous Decolonization. University of Minnesota Press, 2011.
“Self-help guru convicted in sweat lodge deaths.” CBC, 23 June 2011,
Fernandes, Leela. Transforming Feminist Practice: Non-Violence, Social Justice and the Possibilities of a Spiritualized Feminism. San Francisco: Aunt Lute Books, 2003.
O’Brien, Lora. Lora O’Brien Irish Author & Guide, 2021,
https://loraobrien.ie/about-lora-obrien/. Accessed 20 April 2022.
Daimler, Morgan. Irish Paganism. Moon Books, 2015.
Pegi Eyers is the author of Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community, an award-winning book that explores strategies for social justice, uncolonization, ethnocultural identity, building land-emergent community & resilience in times of massive change. Available from Stone Circle Press or Amazon |
Reprint from >Red Moon Mystery School<
OFFERINGS BY NIKIAH SEEDS
This personal quest will take you through four stages or portals, starting with Blood. In this portal you will be taken to meet a healthy,,loving ancestral guide and from there begin a strong ancestral practice that includes healing for one lineage in your family line.
-
Moving next into Bones. In this portal the bones we speak of here are the bones of the earth, animism, and being a staff holder. We work with the bones of the earth/trees and each student is granted access to the Magic and Folklore of Trees course.
-
Moving from bones we begin to work with the Moon. Here the moon represents community and gatherings, and how as a leader you hold yourself with integrity and of course the shadow side of the moon, leaning into circle ethics, mentoring and dreaming future courses you may wish to lead.
-
Lastly we Return and reflect on the quest that has taken you away from leadership and into your own personal time of reflection and journeywork.
-
All of the materials in this course are yours to keep forever so you may return to them as many times as you wish, and also so you are not rushed in your own process of the content.
This personal quest will take you through four stages or portals, starting with Blood. In this portal you will be taken to meet a healthy,,loving ancestral guide and from there begin a strong ancestral practice that includes healing for one lineage in your family line.
-
Moving next into Bones. In this portal the bones we speak of here are the bones of the earth, animism, and being a staff holder. We work with the bones of the earth/trees and each student is granted access to the Magic and Folklore of Trees course.
-
Moving from bones we begin to work with the Moon. Here the moon represents community and gatherings, and how as a leader you hold yourself with integrity and of course the shadow side of the moon, leaning into circle ethics, mentoring and dreaming future courses you may wish to lead.
-
Lastly we Return and reflect on the quest that has taken you away from leadership and into your own personal time of reflection and journeywork.
-
All of the materials in this course are yours to keep forever so you may return to them as many times as you wish, and also so you are not rushed in your own process of the content.
PRACTICAL DETAILS
This is an online course with no set timeline. What this means is that you can begin and finish whenever you feel ready to dive in, and are complete with the quest. You will receive 2 mentorship sessions with Nikiah one for each of the phases of her quest. This will be via Zoom and will be between an hour in length depending on what is needed. You will also also have access to the "Magic and Folklore of the Sacred Trees" course, as a further support to the journey. Within the course are videos and PDF's available.
We will be reading certain chapters from the book "Ancient Spirit Rising" by Pegi Eyers and this book comes with the cost of the course.
Upon completion you will receive a red bone wrapped and corded that you may hang onto your staff. This course is open now! Register >here<
This is an online course with no set timeline. What this means is that you can begin and finish whenever you feel ready to dive in, and are complete with the quest. You will receive 2 mentorship sessions with Nikiah one for each of the phases of her quest. This will be via Zoom and will be between an hour in length depending on what is needed. You will also also have access to the "Magic and Folklore of the Sacred Trees" course, as a further support to the journey. Within the course are videos and PDF's available.
We will be reading certain chapters from the book "Ancient Spirit Rising" by Pegi Eyers and this book comes with the cost of the course.
Upon completion you will receive a red bone wrapped and corded that you may hang onto your staff. This course is open now! Register >here<
Pegi Eyers is the author of Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community, an award-winning book that explores strategies for social justice, uncolonization, ethnocultural identity, building land-emergent community & resilience in times of massive change. Available from Stone Circle Press or Amazon. |
PEGI EYERS
In September of 2022 the most amazing thing happened. My dear friend Kat Elliot visited Nigel Shaw and Carolyn Hillyer of Braided River Books and Seventh Wave Music in Dartmoor in southern Devon, England, and presented them with a copy of my book Ancient Spirit Rising~! It's wonderful when our creations find new homes all over the world, especially with amazing people and sacred sites. Tapadh leat gu dearbh (!) dear Kat, for your amazing friendship, and support of ASR~!
Excerpt from Ancient Spirit Rising / Chapter 25 / "Practices"
For the ultimate inspiration on how to recover and embody our ancient European Indigenous Wisdom directly, we can look to the work of Nigel Shaw and Carolyn Hillyer in fine art, music, ceremony, material culture and daily life that sings to the Celtic heart and sets our souls on fire. Deeply embedded in the English landscape, Seventh Wave Music offers texts, poetry, music, artwork and musical instruments from richly-reconstructed Indigenous traditions affirming the Celtic, Nordic and Northern tribes of Europe. Nigel Shaw and Carolyn Hillyer “live and work on a thousand-year-old farm in the heart of Dartmoor, a mist-veiled landscape of wild hills and moors, and the inspiration for their work is drawn from the raw beauty, hidden spirit and ancient memory of this deep ancestral land.” [1] Music has the powerful ability to bring us back to our originating culture, and with hand-crafted drums, flutes, rattles and other musical instruments using locally-sourced wood, stone and other materials, the soundscape journeys and primordial rhythms of Seventh Wave Music restore us to the spirit of the wild landscape and the gifts of the land.
“What is the story of our forgotten people? It is a story of return. It is a story of hearthstones and home; of amber from oceans and copper from earth; of men who soar with buzzards and women who weave heron feathers into their hair. It is also, however, the story of ourselves; in a landscape where time spirals rather than runs ahead of us in rigid lines, we look to our forgotten people to remember something about our own lives. Remembering our people, those who are connected to us by blood or clan or land or any other bond that serves to entwine hearts and souls, is part of rooting ourselves in our landscape and shaping the road along which we chose to travel. We learn from our ancestors in order to understand the ancestors we might become.” [2] Carolyn Hillyer
Excerpt from Ancient Spirit Rising / Chapter 25 / "Practices"
For the ultimate inspiration on how to recover and embody our ancient European Indigenous Wisdom directly, we can look to the work of Nigel Shaw and Carolyn Hillyer in fine art, music, ceremony, material culture and daily life that sings to the Celtic heart and sets our souls on fire. Deeply embedded in the English landscape, Seventh Wave Music offers texts, poetry, music, artwork and musical instruments from richly-reconstructed Indigenous traditions affirming the Celtic, Nordic and Northern tribes of Europe. Nigel Shaw and Carolyn Hillyer “live and work on a thousand-year-old farm in the heart of Dartmoor, a mist-veiled landscape of wild hills and moors, and the inspiration for their work is drawn from the raw beauty, hidden spirit and ancient memory of this deep ancestral land.” [1] Music has the powerful ability to bring us back to our originating culture, and with hand-crafted drums, flutes, rattles and other musical instruments using locally-sourced wood, stone and other materials, the soundscape journeys and primordial rhythms of Seventh Wave Music restore us to the spirit of the wild landscape and the gifts of the land.
“What is the story of our forgotten people? It is a story of return. It is a story of hearthstones and home; of amber from oceans and copper from earth; of men who soar with buzzards and women who weave heron feathers into their hair. It is also, however, the story of ourselves; in a landscape where time spirals rather than runs ahead of us in rigid lines, we look to our forgotten people to remember something about our own lives. Remembering our people, those who are connected to us by blood or clan or land or any other bond that serves to entwine hearts and souls, is part of rooting ourselves in our landscape and shaping the road along which we chose to travel. We learn from our ancestors in order to understand the ancestors we might become.” [2] Carolyn Hillyer
With a foot in both worlds, Nigel Shaw and Carolyn Hillyer are immersed in the Old Ways, and have manifested ancient EIK (European Indigenous Knowledge) on their Dartmoor land by building a Neolithic-style Celtic Roundhouse using granite, oak and rye grass thatch, for ceremony and to evoke sacred space. Like a miracle from a dream, or the answer to a yearning we never knew we had, hearing their music or reading Carolyn’s words transports us directly to our ancestral roots, reconnecting our hearts to the heartbeat of the Earth and the glowing hearth, to stone, bone, willow, reed, antler, feather, copper - and to the warp and weft of stories that are woven in the land.
“we will build our dwelling from the bones of the earth
we are wed to the body of the earth
we will kindle our fire from the heart of the wood
we are wed to the soul of the land
now that the first hearth is set on the ground
to the spirit of this place we are bound……” [3] (Carolyn Hillyer)
The astonishing creative output of Seventh Wave Music and their hosted gatherings take us along ancient paths where we can reconnect with the energies of the earth, experience deep animist interactions with the nonhuman world, and feel the echoes of ancient forests, Atlantic coasts and stone circles once again. For over 20 years Carolyn has been offering workshop journeys for women, weaving together shared songs, chants, poetry, stories, ancient mythology, sacred symbols, hearth circles, ritual drumming, ceremony, oracle work, magical ways, rites of passage, wildcrafting, earth shrines, vigil, wayfaring, and interaction with the sacred wild sanctuaries of the land. Viewing her mixed-media art (“life-size images of archetypal spirit women, the ancient landscape in human form” [4]), and learning from the sacred prose and poetry of her mystic teachings can ignite our own deep well of remembrance and Indigenous talents as seer, bard, story-teller, hearthkeeper, healer, wanderer, hunter, gatherer, shapeshifter or lover of the land.
“Ancient shadows of women spiralling/
through the coils of time
we are part of those women spiralling
with the song of the land
and the dance of the moon inside.” [5] (Carolyn Hillyer)
The work of reviving an ancestral paradigm can arise from different motivations, methodologies, groups or inspirations, and diverse sources can guide our passage back to the ancient clan mothers while evoking the vibrancy of our Celtic sensibility in the modern era. With their rich tapestry of music, performance, poetry, story, ceremony and hearthfire, the works of Nigel Shaw and Carolyn Hillyer give form and song to our personal journeys of cultural resurgence, and show us the way home to our EIK.
“we will build our dwelling from the bones of the earth
we are wed to the body of the earth
we will kindle our fire from the heart of the wood
we are wed to the soul of the land
now that the first hearth is set on the ground
to the spirit of this place we are bound……” [3] (Carolyn Hillyer)
The astonishing creative output of Seventh Wave Music and their hosted gatherings take us along ancient paths where we can reconnect with the energies of the earth, experience deep animist interactions with the nonhuman world, and feel the echoes of ancient forests, Atlantic coasts and stone circles once again. For over 20 years Carolyn has been offering workshop journeys for women, weaving together shared songs, chants, poetry, stories, ancient mythology, sacred symbols, hearth circles, ritual drumming, ceremony, oracle work, magical ways, rites of passage, wildcrafting, earth shrines, vigil, wayfaring, and interaction with the sacred wild sanctuaries of the land. Viewing her mixed-media art (“life-size images of archetypal spirit women, the ancient landscape in human form” [4]), and learning from the sacred prose and poetry of her mystic teachings can ignite our own deep well of remembrance and Indigenous talents as seer, bard, story-teller, hearthkeeper, healer, wanderer, hunter, gatherer, shapeshifter or lover of the land.
“Ancient shadows of women spiralling/
through the coils of time
we are part of those women spiralling
with the song of the land
and the dance of the moon inside.” [5] (Carolyn Hillyer)
The work of reviving an ancestral paradigm can arise from different motivations, methodologies, groups or inspirations, and diverse sources can guide our passage back to the ancient clan mothers while evoking the vibrancy of our Celtic sensibility in the modern era. With their rich tapestry of music, performance, poetry, story, ceremony and hearthfire, the works of Nigel Shaw and Carolyn Hillyer give form and song to our personal journeys of cultural resurgence, and show us the way home to our EIK.
NOTES
[1] Carolyn Hillyer, Sacred House: Where Women Weave Words into the Earth, Seventh Wave Books, 2010
[2] Nigel Shaw and Carolyn Hillyer, “About Seventh Wave Music: Words from the Wild Hills,” Seventh Wave Music, 2014. For information on music CDs, books, prints, hand-crafted instruments, concerts, events, Rivenstone, Festival of Bones, Thirteen Moons Women’s Festival and Workshop Journeys for Women: Hearth, Trail or Threshold Weekends, go to
www.seventhwavemusic.co.uk.
[3] Carolyn Hillyer, Sacred House: Where Women Weave Words into the Earth, Seventh Wave Books, 2010
[4] Carolyn Hillyer, “Books and Prints” Seventh Wave Music, 2014
www.seventhwavemusic.co.uk
[5] Carolyn Hillyer, Sacred House: Where Women Weave Words into the Earth, Seventh Wave Books, 2010
[1] Carolyn Hillyer, Sacred House: Where Women Weave Words into the Earth, Seventh Wave Books, 2010
[2] Nigel Shaw and Carolyn Hillyer, “About Seventh Wave Music: Words from the Wild Hills,” Seventh Wave Music, 2014. For information on music CDs, books, prints, hand-crafted instruments, concerts, events, Rivenstone, Festival of Bones, Thirteen Moons Women’s Festival and Workshop Journeys for Women: Hearth, Trail or Threshold Weekends, go to
www.seventhwavemusic.co.uk.
[3] Carolyn Hillyer, Sacred House: Where Women Weave Words into the Earth, Seventh Wave Books, 2010
[4] Carolyn Hillyer, “Books and Prints” Seventh Wave Music, 2014
www.seventhwavemusic.co.uk
[5] Carolyn Hillyer, Sacred House: Where Women Weave Words into the Earth, Seventh Wave Books, 2010
Access the books, art, music, workshops and events of Carolyn Hillyer and Nigel Shaw at Seventh Wave Music >here<
Instagram >here<
Instagram >here<
Neolithic-style Roundhouse at Lower Merripit Farm
Seventh Wave Music and Braided River Books
Photography by Kat and Russ Elliott
CAROLYN HILLYER and NIGEL SHAW, BRAIDED RIVER BOOKS and SEVENTH WAVE MUSIC, DARTMOOR www.seventhwavemusic.co.uk
Pegi Eyers is the author of Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community, an award-winning book that explores strategies for social justice, uncolonization, ethnocultural identity, building land-emergent community & resilience in times of massive change. Available from Stone Circle Press or Amazon. |
PEGI EYERS
ANCESTRAL LANDS
With blessings and benediction
Ancestral lands of my spirit -
the passage of time and oceans divide us
yet my heart-home yearns for you still
Your feminine forms rest deep in the earth
sacred earth goddesses that live on
in DNA memory - of kin, of connection
The eternal cycles, the great stone circles
nourish my thoughts and prayers
Your spirits of place that speak
to all those with open hearts
Touching the loam, immersed in sounds & scents
the coastlines, moors, your meadow-grasses
May my sisters give voice to my name
palms down, ancient spirit rising
May the Great Heart in the land
send blessings to her daughter across the sea
Send messages of belonging
beloved motherline that fills my soul
With blessings and benediction
Ancestral lands of my spirit -
the passage of time and oceans divide us
yet my heart-home yearns for you still
Your feminine forms rest deep in the earth
sacred earth goddesses that live on
in DNA memory - of kin, of connection
The eternal cycles, the great stone circles
nourish my thoughts and prayers
Your spirits of place that speak
to all those with open hearts
Touching the loam, immersed in sounds & scents
the coastlines, moors, your meadow-grasses
May my sisters give voice to my name
palms down, ancient spirit rising
May the Great Heart in the land
send blessings to her daughter across the sea
Send messages of belonging
beloved motherline that fills my soul
Mythopoetics by Pegi Eyers May, 2022. I don't usually use the term "benediction" due to associations with religiosity, but in this instance it seems to work. |
|
Pegi Eyers is the author of Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community, an award-winning book that explores strategies for social justice, uncolonization, ethnocultural identity, building land-emergent community & resilience in times of massive change. Available from Stone Circle Press or Amazon. |
~ BLOG ~
Pegi Eyers
ஜ
The recovery of our ancestral roots, and the promotion of social justice & environmental activism as interwoven with our spiritual life. Engaging with the interface between Turtle Island First Nations and the Settler Society, rejecting Empire and embodying the paradigm shift to ecocentric society.
Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community
Ancient Spirit Rising
is the recipient of a
2017 Next Generation Indie Book Award
in the Current Events/ Social Change category!
is the recipient of a
2017 Next Generation Indie Book Award
in the Current Events/ Social Change category!
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